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( 11)

throughout your image ” for example, you want to select only the sky, as
seen through the intersecting branches of a tree. You could Shift+click each
spot manually with the Magic Wand tool and painstakingly add area after
area. But, fortunately, Paint Shop Pro offers an automatic version of that
same task.

First, use any selection tool to select one area. Then, choose Selections➪
Modify➪Select Similar. Paint Shop Pro selects all pixels similar to the colors
within your selection.

How similar? The Select Similar command looks to the Magic Wand tool™s
Tolerance control to determine how similar to the original color a selected
pixel should be. A high tolerance means that a color can be significantly dif-
ferent and still be selected; a low tolerance selects only colors that are very
close to those in your original selection.

A difference between the Magic Wand tool and the Select Similar command
is that it asks whether you want to select an area contiguously. A contiguous
Select Similar action adds only the areas that are right next to the current
selection; discontiguous selections add parts from all over your image, regard-
less of where they are.

You can also add or remove selections based on how close they are to certain
colors. For example, if you™re trying to cut and paste The Artist Formerly

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Known As Prince Who Is Back to Being Called Prince Again (and who is
known for wearing purple outfits), you may want to expand your selection
to only lavender areas. Choose Selections➪Modify➪Select Color Range,
and choose a nice shade of magenta in the color box.

Sometimes, you don™t really want all the pixels of similar color, just those
within a certain region of the image. Fussy, fussy. For example, you may want
all the blue sky, including the stuff that peeks through the tree branches, but
not the blue pond. No problem. Just draw a freehand selection around the
pond while pressing the Ctrl key to subtract that area.

Creating Interactive Web
Pages from Graphics
Paint Shop Pro not only creates static Web images (images that just sit there),
but can also create the interactive graphical portion of the Web page itself.
For example, Paint Shop Pro can help you

Slice a single image into a multi-image grid and create the Web page that
assembles the pieces into a grid and makes each image a hot link.
Create graphical rollovers ” images that change as you pass your mouse
cursor over them ” and write the Web page code to make the rollover

To accomplish its Webbish wonders, Paint Shop Pro writes HTML files (Web
pages), not just image files. You can then use these HTML files on their own
or copy their HTML code (including JavaScript code) into other Web pages.

You probably need to understand how Web pages, hot links, and rollovers
work before trying to use Paint Shop Pro to make these features. Check out
the Wiley Web site, at www.wiley.com, to find various books on Web pages
and design.

Creating image slices
Professional Web designers rarely design in HTML; instead, they create an
image of how they want their Web page to look, by using multiple layers and
futzing with the page until it looks perfect. Then, when they™re done, they
slice that image into multiple images (known as cells) and assign a link to
each cell. Paint Shop Pro creates the HTML code (a table) that™s necessary
to hold the images in a grid and also creates a series of new images from
your original, single image.

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You can use another technique, called image mapping, but it has two major
disadvantages: The entire image has to be downloaded completely before
the viewer can do anything (and haven™t we told you about the importance
of speedy downloads?), and you can™t use rollovers effectively. We advise
skipping this technique unless you have a pressing need.

To slice an image, follow these steps:

1. Choose File➪Export➪Image Slicer, as shown in Figure 18-14.
2. Zoom and position your image in the Image Slicer so that you can see
the whole area you intend to slice.
To zoom, click either of the magnifier icons below the image: + to zoom
in or “ to zoom out. To position (pan) your image, click and hold the
mouse button on the Pan icon and drag in the preview window until you
see what you want.

Selection Slice Pan
tool tool tool
(click here to see
Grid Erase a preview of this sliced
tool tool image in a browser window)

Figure 18-14:
Slicin™ dice
with the

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3. Click either the Slice tool or the Grid tool.
The Grid tool divides your image by using a grid of evenly spaced lines.
You can adjust the lines and their positions afterward. The Slice tool,
although tricky to control, enables you to slice wherever you like.
4. Slice your image.
If you use the Grid tool, click anywhere on the image. In the Grid Size
dialog box that appears, enter values for the number of rows and
columns in your grid.
If you use the Slice tool, click where you want the center of your cut to
be and drag either horizontally or vertically; the Slice tool creates a hori-
zontal or vertical cut that expands in both directions from where you
originally clicked. You don™t need to drag entirely across the image; the
line automatically extends to the image edge or to the next line it
Note that you can use both the Slice tool and the Grid tool to provide
extremely fine control; for example, you can create a grid of boxes and
then subdivide each of those boxes with the Slice tool.
5. Use the Delete tool to remove any extra lines.
Click the Delete tool in the Tools area and click lines you don™t want.
6. Use the Arrow tool to drag any lines that need moving.

If your image has any solid white cells, you can improve the Web page™s
downloading speed by not placing an image in that cell. Using the Arrow tool,
click the cell and then uncheck the Include Cell in Table check box. This trick
also works for other solid-color areas, but you have to edit the resulting
HTML file to set the background color to match the image color.

At this point, you™re ready to enter the hyperlink (Web address) information
that describes what Web page appears when the person viewing your page
clicks a cell (see the following section).

Entering links
After you have created your hot spot areas or cells, the next step is to enter
the Web address that you want each hot spot or cell to link to when someone
clicks it on the Web. Follow these steps:

1. Choose the Arrow tool (in the Tools area) and click a hot spot or cell.
2. Enter the URL (address of the Web page) you want to link to in the
URL text box.
If you intend for the page to appear in a named frame of the current
page, enter the frame name in the Target area.

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3. Enter a text description of that new page in the Alt Text text box.
4. Select where you want the new page to open on the Target menu.
If you want the page to open in the same browser window, you can leave
this area blank. Otherwise, you can force the user™s browser to display
the URL in a new and exciting way.
The only target that™s universally useful is _blank, which opens the
URL in an entirely new browser window and leaves the original page
untouched. The other three ” _top, _self, and _parent, respectively ”
are useful only if you™re using an HTML technique called frames to design
your page (which is something that™s generally considered bad form these
days, so we just pretend that they don™t exist).
5. Repeat Steps 1 through 4 for all the cells you have created.

You may also want to save the work you have done so far, which we describe
how to do in the section “Saving and reloading your work,” a little later in this

Optimizing cells
Unless you tell it to do otherwise, Paint Shop Pro saves all your cells as GIF
files, which can create grainy images and horribly lengthy download times.
A little compression can make all the difference; remember that the JPEG
used in Chapter 15 took four minutes to download before it was squeezed
down. Is your page so cool that you would watch a blank screen for five min-
utes before you saw it? (Studies have shown that people don™t wait for more
than 12 seconds.)

To optimize your images, follow these steps:

1. Select the Arrow tool (in the Tools area) and click a hot spot or cell.
2. Choose whether your cell should be a GIF or JPEG image.
Refer to Table 15-1 in Chapter 15 for a comparison of formats. (You can
use PNG, but not all browsers support it.)
3. If you want to optimize the image ” and you should ” click the
Optimize Cell button.
This step brings up the GIF Optimizer or the JPEG Optimizer, as dis-
cussed in Chapter 15; pay special attention to the Download Times tab.
If you want all your cells to be optimized the same way, click the Apply
Optimization to Whole Image check box.
4. Repeat Steps 1 through 3 for all cells you have created.

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Saving and reloading your work
You may want to go back and change your hot spots, cells, or links later, or
perhaps use similar settings on a slightly different image. For those reasons,
save your work as a file. (Note that this file isn™t the Web page file or an image
file; to create those, see the following section.)

Click the Save Settings button. The Save Slice Settings dialog box that
appears works just like any other file-saving dialog box. Enter a name and
choose a folder for your file, and then click Save.

If you want to use or edit your settings later, open the Image Slicer tool as
before and click the Load Settings button. Open your file in the Load Slice
Settings dialog box that appears. The hot spots or cells you defined earlier
are now set up for the current image.

Saving the result as a Web page
For all this slicing and dicing to be of any use, you need to transform it into a
Web file. The Paint Shop Pro Webtools feature produces the two kinds of files
you need for your Web page: one or more image files (in GIF, JPEG, or PNG
format) and a single HTML file. You create as many image files as you have cells.
The Web page (HTML) file that™s created incorporates those image files and
provides the links, hot spots, and other programming that makes it all work.

Before you produce the final files, you can test your Web page by viewing it in
your Web browser. In the Image Slicer, click the Preview button. Your Web
browser is launched and displays the result. You can test all the hot spots or
other features you have created.

To create your Web files, click the Save or Save As button. If you haven™t cre-
ated any Web files since you launched the Image Slicer, the Save As dialog
box appears. As with the Save As dialog box in any program, you enter a file-
name and choose a folder. The name and folder you choose is the name and
location of the HTML, or Web page file, you™re creating. (The Save As dialog
box doesn™t appear if your Web page file already has a name and folder.)

Paint Shop Pro creates a series of cell images in the same folder as the HTML
file; although each cell file™s name begins with the name of the original image
file, Paint Shop Pro appends additional characters to distinguish the cell.

Making rollovers
Rollovers are images (typically, buttons) that change appearance whenever
you position your mouse over them or whenever you do various other mouse
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or keyboard actions. For example, a button may get darker. Rollovers are
popular Web page features because they provide immediate feedback to the
user™s cursor motion.

The basic mouseover rollover, which we describe here, simply changes as the
mouse passes over it. It requires two images: the original image (a button, for
example) and the one that substitutes for the original when a mouse cursor
passes over it (a darkened version of the button, for example).

To create a rollover, follow these steps:

1. Prepare the pair of images for each rollover.
For each rollover, you need the image that first appears on the Web page
and the image that takes the first image™s place. If you like using sliced
images, first use the Image Slicer to slice a large image into separate cell
images and save your settings. Close the Image Slicer, load into Paint
Shop Pro all the cell images created by the slicer, and modify them in
some way; for example, you can make them darker. Save each one with
a modified filename so that the original cell images remain unchanged.
2. Open the original image in Paint Shop Pro, if it isn™t already open.
For example, open the large image you originally sliced in Step 1.
3. Launch the Image Slicer and load your earlier settings.
Load the settings you saved in Step 1 to restore the slicing.
4. With the Arrow tool, click in the Image Slicer the cell you want to pro-
gram with a rollover.
5. Click the Rollover Creator button.
The Rollover Creator dialog box appears.
6. Click the Mouse Over check box.
7. Click the file folder icon on the same line as the Mouse Over check box.
The Select Rollover dialog box appears.
8. Choose the image file that you want to appear when the mouse passes
over and click Open.
For example, this file is the darkened version of the original file.
9. Click OK in the Select Rollover dialog box.
10. Repeat Steps 4 through 9 for each cell or hot spot.

Proceed to save your settings and create your Web files as we describe in ear-
lier sections in this chapter.

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Advanced Undoing and Redoing
Have you made a mistake? Paint Shop Pro has a classic fix: Choose Edit➪
Undo. Or, press Ctrl+Z or click the Undo button. Each time, you back up a
step and undo the preceding action. If you accidentally undo too far, you can
redo the step with Edit➪Redo. (Or, because Paint Shop Pro never gives you
just one way to do something when several will do, you can also press
Ctrl+Alt+Z or click the Redo button on the toolbar.)

What if you make lots of mistakes? Or, what if you realize that you made one
mistake a while back, but have done several things correctly since then? If
you undo all the way back to the point where you made your mistakes, you
also undo the valid changes you have made since your mistake.

Fortunately, Paint Shop Pro 9 adds a command history to allow you to see
more precisely what commands you™re undoing and redoing. Choose View➪
Palettes➪History (or press F3) and the History palette appears. It provides
enough command of history to finally understand the Peloponnesian War.

Okay, so nobody really understands (or even correctly spells) the
Peloponnesian War, but you can undo and redo your Paint Shop Pro com-
mands with more insight now. Most (but not all) commands are undoable.
Only undoable commands are normally shown on the History palette. To
see even the ones you can™t undo, click the Show Non-Undoable Commands
button, second from last at the top of the History palette.

Previous commands are marked with an eyeball to indicate that their effect is
currently visible. Click any eyeball to undo a step; it gets crossed out. Click
that same eyeball to redo that step. In this way, you can undo a single mis-
take without annihilating everything you have added since your mistake.

To prepare to undo several steps, Ctrl+click on multiple steps you want to
undo. Click the Undo Selected button at the top of the History palette and
your highlighted steps are undone.

To undo everything back to a specific step, click on that step. Then click the
Undo to Here button at the top of the palette.

Undone steps are now marked with a crossed-out eyeball to indicate that
their effect is no longer visible. The History palette Redo buttons (Redo
Selected and Redo to Here) are the complements to the Undo buttons. Select
the step or steps you want redone and click the Redo Selected button. Or,
click one of the X™d-out steps and click Redo to Here. If you™re permanently
done with undone commands, you “clear” them from History. Click the Clear
Selectively Undone Commands button, third from the right at the top of the
History palette.

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Using Scripts to Automate
Repetitive Tasks
William works as a webmaster for an online shop. Three times a year, new
products get released and he has to scan in and upload 350 pictures. Of
course, the scanned images all have to be the same size, and they all have to
have their colors adjusted so that they™re clear and vibrant images, and they
have to have a black border around their edges.

Doing that by hand 350 times would drive William stark-raving bonkers.
Fortunately, Paint Shop Pro 8 debuted a fantastic new scripting feature,
which allowed William to save that repetitive series of commands as a single
script. Now, whenever William scans in an image, he clicks one button ” and
the script adjusts the image™s colors, resizes it, and adds a black border in
one go.

The Paint Shop Pro scripting features record a series of commands and then
replay those commands as you entered them, which saves you valuable time.
If you have ever used macros in Word or Excel, you should be familiar with
this concept.

Recording a script
Here™s how you record an item:

1. If you don™t see the Script toolbar, as shown in Figure 18-15, choose
2. Click the Start Script Recording button.

Cancel Script Recording

Start Script Recording

Script selection menu
Figure 18-15:
The Script
Run Script Edit Script
Pause Script Recording

Save Script Recording

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3. Perform the sequence of actions you want recorded, just as you would
normally do in Paint Shop Pro.
Keep in mind that the settings for the tools you use are saved within the
script; for example, if you paint a circle with a 50 percent opacity and 25-
pixel brush, that script is always drawn with a 50 percent opacity and
25-pixel brush, regardless of what the Brush tool may be set to.
4. If you need to pause recording in the middle to do something that you
don™t want replayed later, click the Pause Script Recording button.
Click it again to continue the recording where you left off.
5. When you™re done, click the Save Script Recording button and enter a
name, and then click OK. Or, if you have done something wrong and
you don™t want to save it, click the Cancel Script Recording button.

You have three options when you™re saving:

Click the Save Materials check box. This option ensures that the script
draws with the material (the color, gradient, or pattern) that was used
when you recorded the script, thus ensuring that a red line is always a
red line; unchecking this option causes this script to draw with what-
ever materials are selected when you run it.
Click the Save Dialog Positions check box. Choosing this option is a
strange business. Normally, Paint Shop Pro doesn™t pay attention to
where you click ” it pays attention to what you did. Put another way, if
you record an application of the Topography Artistic effect (as shown in
Chapter 13), the script isn™t paying attention to where you moved the
mouse or when you clicked OK ” it™s paying attention to the settings
that were used when the topographical effect was applied.
This capability is A Good Thing. For one thing, it allows Paint Shop Pro
to zip through the scripts; it doesn™t have to wait two seconds to move
the mouse to the OK button, like you did.
If, however, you had a script that needed to place a click at some posi-
tion in a certain dialog box, you could check this box and ensure those
dialog boxes are in the same places. Realistically, though, you can proba-
bly ignore this part.
Click the Remove Undone Commands check box. We hope that you did
everything perfectly when you recorded your script. If you made a mis-
take, though, all is not lost! You can undo during a script recording. If the
Remove Undone Commands option is checked, those commands aren™t
carried out in the final script. (Why you would want to uncheck it is a
complete mystery, but, hey ” that™s a question that only Jasc can
You can also, if you™re so inclined, select the Description box and enter
the author, copyright, and description of your script. This is handy if
you expect to pass it on.

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Scripts are saved by default in the My Documents/My PSP Files/
Restricted-Scripts folder. You can send them to other users, who
can put them in their folders and run them as though they had been
recorded on their own PCs.

Running a script
Running Paint Shop Pro scripts is much simpler than recording them. Follow
these steps:

1. Click the arrow on the drop-down list on the Script toolbar, as shown
in Figure 18-16.
By default, you™re shown the scripts stored in the Scripts-Restricted cat-
egory, but you can click other script folders, like Artistic and Photo, to
see what other exciting scripts Paint Shop Pro has given you for free.
Note that some scripts are already there. Paint Shop Pro comes bundled
with several scripts to automate common tasks, like creating thumb-
nails, and also gives you some artistic transformation scripts that can
turn a photograph into, for example, a watercolor painting. Feel free to
2. Click the Run Selected Script button.
Certain advanced scripts may have dialog boxes that ask for user input,
but most just zip through and go about their business in no time.

Figure 18-16:
a script
be easier;
choose a
script and
click it!

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TEAM LinG - Live, Informative, Non-cost and Genuine !
removing items, 137“142, 297“298
• Numerics • spot-changing colors, 145“146
Animation Shop, 22, 28
1-bit color (black-and-white), 21, 86. See
anti-aliasing, 43, 54, 223, 237
also color depth
Art Eraser tool, 198
3D effects, 242, 244“245
Art Media
4-bit color (16 colors), 21, 182“183. See
canvas or layer for, 193“195, 206
also color depth
overview, 193, 242
8-bit color (256 colors), 21, 85, 182“183,
using, 195“200
243. See also color depth
artifacts in JPEG images, 23, 113
24-bit color (16 million colors), 21, 32, 85.
Artistic effects, 129, 242, 245“249
See also color depth
Auto Actions messages, 27“28, 287
32-bit color setting (scanners), 85
Automatic Contrast Enhancement effect,
•A• Automatic Saturation Enhancement effect,
126“127, 301
active layer, 204, 207, 242
Average blur effect, 143
active window, 15
Avery templates, 267
Adjust menu
Add/Remove Noise submenu, 90, 102,
111“112, 113
Automatic Contrast Enhancement
background color, 175, 224
command, 125
Background Eraser tool, 155“157
Automatic Saturation Enhancement
background layer, 150, 201
command, 126, 301
Backlighting Filter, 120“121, 296
Brightness and Contrast submenu, 129
batch processing for files, 25“27
Color Balance submenu, 108, 121,
bevel effects, 245
127, 129
bevel join, 237
Hue and Saturation submenu, 128
Bezier curves, 311“315
Photo Fix submenu, 104, 119
bitmap (raster) images, 24, 202, 222, 225
Sharpness submenu, 88, 110
black and white, 21, 86, 129“130, 217. See
Softness submenu, 142
also grayscale images
adjustment dialog boxes
blending, 169, 213“215
for effects, 257“258
Blur effect, 133, 143
overview, 116“119
Blur More effect, 133, 144
saving settings as presets, 303“305
blurry photos, 109“111, 137
adjustment layers, 119, 206, 215“218, 243
BMP files, 21. See also file types
Airbrush tool, 152“154, 185, 186
borders, adding to images, 35“36
album pages, printing, 266“270
aligning objects, 315“316
Brightness/Contrast dialog box, 117“119
altering photos. See also retouching photos
Brightness/Contrast layer, 217
adding blurs and motion effects, 143“144
defined, 123
adding items, 135“137, 298“299
scanner settings, 87
making sky blue, 300“301
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brightness (continued) resampling and, 32
selecting by, 45“48 scanner settings, 85“86
threshold control, 129“130 setting, 21, 28
browser, 8, 9“11 using 256 or fewer colors, 182“183
browsing effects, 243“244 Color Replacer tool, 164“166
Brush Strokes effect, 248“249 color separations, 265
Burn tool, 135 color temperature, 122
Buttonize effect, 245, 281“282 colors. See also color correction; color
buttons, creating, 281“282, 324“325 depth; Materials palette
All Tools option and, 174
•C• background color, 175, 224
for borders, 35
changing for vector objects, 236“237
cameras. See digital cameras
choosing for tools, 153, 174“175
canvas, 36“38, 150, 193“194
colorizing, 128
capturing images
converting to grayscale, 128, 129
from digital cameras, 75“81
converting to negative, 128, 129, 217
from PC screen, 93“97
converting to 16 million, 182
from scanners, 75“76, 82“93
download speed and, 274, 278“279
Change to Target tool, 146
enhancing, 97, 301
Chisel effect, 245
file types and, 275
clearing the selection, 55
filling areas with, 166“168
Clone Brush tool, 137“142, 297“298
foreground color, 175, 224, 232
CMYK colors, 22, 265
for grids, 319
color correction. See also brightness;
hue, 122“123
lighting color (color balance), 121“122
Automatic Color Balance dialog box,
for lines, 228
matching HTML colors, 282
Automatic Contrast Enhancement effect,
Material Properties dialog box, 178“182
Mixer for Art Media colors, 198“200
Automatic Saturation Enhancement
negative image, 128“129
effect, 126“127, 301
picking up from an image, 154, 177“178
Brightness/Contrast dialog box, 117“119
posterizing, 129
Color Balance dialog box, 127
printing, options for, 265
layer types and, 217
Recent Materials dialog box, 176“177
lighting color (color balance), 121“122
replacing, 164“166
Manual Color Correction effect,
saturation, 123
107“109, 116
selecting by, 45“48
proofing or previewing, 118“119
for shadows and highlights, 180
Red/Green/Blue dialog box, 127
shape outline and fill colors, 228, 232“233
spot-changing colors, 145“146
sky, making blue, 300“301
color depth
spot-changing colors, 145“146
Auto-Action messages, 27“28
text outline and fill colors, 223, 224
of BMP files, 21
TIFF files and, 22
converting to 16 million colors, 182
using 256 or fewer colors, 182“183
defined, 21
Combination templates, 267
effects and, 243
combining image files, 209“210
of GIF files, 22
compression, 17, 21, 23
information in Open dialog box, 12

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contrast resizing, 66, 69
Automatic Contrast Enhancement effect, rotating, 67, 70
125“126 shear effect (skewing), 68, 69
Brightness/Contrast dialog box, 117“119 straightening, 71, 91“93
Brightness/Contrast layer, 217 tools for, 65
defined, 123 troubleshooting, 69
low versus high, 123, 124 deleting. See also removing or erasing
scanner settings, 87 files from digital camera, 78
threshold control, 129“130 layers, 205
converting nodes of lines or shapes, 235
color images to grayscale, 18, 129 selections, 61
color images to negatives, 128, 129, 217 swatches, 190
file formats, 25“26 thumbnails, 10
to 16 million colors, 182 vector objects, 239, 240
vector layers to raster layers, 218, 222 descreen setting (scanner), 88, 90
copying. See also capturing images; deselecting, 55, 211
pasting digital cameras
adding items to photos, 135“137, 298“299 EXIF data, 11, 81
cloning between images or layers, 140 RAW format, 76
feathered selections, 54 reducing file size for e-mailing, 81“82
floating selections to copy, 60 transferring photos from, 77“81
image files in different file type, 17“18 TWAIN compliance, 75“76
JPEG files with different compression, 23 direction of lines, 235
layer to another image, 212“213 displaying. See viewing
layers and, 207, 211 Distortion effects, 242, 249“251
merged selection, 62, 207 distributing objects, 316“317
from other applications, 62 dithering, download speed and, 274, 278
selections, 62 docking toolbars, 151
thumbnail to different folder, 10 Dodge tool, 135, 296“297
vector objects, 239 download speed
cropping images, 32“33, 82 GIF files and, 277“279
cursor, including in screen captures, 95, 96 JPEG files and, 280“281
Curves layer, 217 tips for reducing, 273“274
Cutout effect, 245 Draft setting for printing, 270
cutting selections, 61“62, 211 dragging
deforming by, 66“68
•D• floating selection to another layer, 61
layer to another image, 212“213
preset shapes, 232“234
date, sorting thumbnails by, 10“11
selections, 45, 60
defeathering, 54
thumbnail to different folder, 10
defloating selections, 60“61
thumbnails to change order, 10
undoing, 45
adding perspective, 67“68, 69
Draw tool, 185, 186
by dialog box, 69“70
by dragging, 66“68
curved lines, 231, 311“315
Mesh Warp effect, 70“71
editing nodes, 234“235, 314“315
perspective correction, 71
freehand lines or shapes, 230“231
preparing to deform, 65“66
lines and connected segments, 228“229
repositioning, 66, 69
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334 Paint Shop Pro 9 For Dummies

drawing (continued) 8-bit color (256 colors), 21, 85, 182“183,
preset shapes, 232“234 243. See also color depth
separate shapes, 230 e-mail, reducing file size for, 81“82
Drop Shadow effect, 245 Emboss tool, 134
Dropper tool, 154, 174, 177“178 Enhance Edge effect, 111
Eraser tool
•E• editing selections, 52
erasing areas, 154“155
erasing in a straight line, 153
Edge effects, 111, 242
textures with, 186“188
Edit menu
Tool Options palette controls for, 158“164
Copy command, 62
erasing. See removing or erasing
Copy Merged command, 62, 207
EXIF (Exchangeable Image File) data, 11, 81
Cut command, 61, 62
exporting images
Paste submenu, 63, 64, 65, 203, 212
GIF files, 276“279
editing. See also altering photos;
image features and file types, 275
retouching photos
JPEG files, 279“281
EXIF data, 81
saving images versus, 274
modifying selections, 48“52
nodes, 234“235, 314“315
overexposure correction, 120“121, 296
text, 289
scanner settings, 87
text, line, or shape properties, 236“237
underexposure correction, 119“120, 295,
effects. See also Art Media; specific effects
active layer and, 242
adjustments, 257“258
Artistic effects, 129, 242, 245“249
browsing, 243“244
categories of, 242 facial blemish removal, 133“134, 299“300
Distortion effects, 242, 249“251 Fade-In effect, 275, 277
Edge effects, 111, 242 feathering, 43, 52“54, 137, 164
Geometric effects, 242, 249“251 Feedback effect, 253
Illumination effects, 242, 251“252 file extensions, 8, 12“13, 19“20. See also file
Image effects, 242, 249“251 types
layers not allowing, 243 file formats. See file types
overview, 241“243 File menu
Reflection effects, 242, 252“253 Batch submenu, 25, 26
saving settings as presets, 303“305 Browse command, 8, 9
scripts as alternatives to, 246 Close command, 9
Texture effects, 242, 253“257 Close Print Layout command, 266
3D effects, 242, 244“245 Import submenu, 79, 83, 94
Effects menu New command, 150, 194
Art Media Effects submenu, 246 Open command, 8, 11
Artistic Effects submenu, 129, 246 Open Template command, 267
Distortion Effects submenu, 250 Preferences submenu, 13, 28, 287
Edge Effects submenu, 111 Print command, 263
Geometric Effects submenu, 250 Print Layout command, 266
Image Effects submenu, 250 Save As command, 17
Reflection Effects submenu, 252 Save command, 16
3D Effects submenu, 244 Save Copy As command, 23
using, 244 Workspace submenu, 19
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file types. See also specific types fade-in effect, 277
Auto-Action messages and, 27“28 image features and, 275
containing raster and vector graphics, 24 overview, 22
converting file formats, 25“26 reducing download time, 277“279
file extensions and, 8, 19 transparent areas, 22, 276“277
image features and, 275 using transparent GIF files, 278
lossy, 17 GIF Optimizer, 22, 276“279
Open dialog box and, 12 GIF Wizard, 279
overview, 19“23 glare reduction, 120“121, 145“146
raster versus vector images, 24 gradients, 168, 183“185, 237
saving files as different type, 17“18 grainy photos, fixing, 111“112
translation by Paint Shop Pro, 8 grayscale images, 85, 128, 129, 265
Fill Flash Filter, 119“120, 295 grids, 318“319
filling areas grouping
blend modes for, 169 layers, 206, 208“209
with gradient, pattern, or texture, 168 vector objects, 238
shape fill color, 228, 233
with solid color, 166“168
text fill color, 223, 224
tolerance settings, 169 halo painting example, 169“172
fixing photos. See retouching photos hiding. See showing or hiding
flash cards and readers, 77 high-contrast images, 123, 124
flashing on and off, 15, 44, 158 highlights, 87, 180, 217
flipping, 35, 61 HSL (Hue/Saturation/Lightness) colors,
floating selections, 60, 61, 205 181, 182
Flood Fill tool, 166“169, 185, 186 HTML colors, 181, 282
focus, softening, 142“143 hue. See also color correction; colors
Folder Options command (Windows), 20 choosing for colorizing, 128
folders, 9“10, 244 defined, 122“123
fonts for text, 224“225 in HSL colors, 181, 182
foreground color, 175, 224, 232 hue tool group, 145“146
4-bit color (16 colors), 21, 182“183. See Hue Up/Down tool, 146
also color depth Hue/Saturation layer, 217
Frame tab (Materials palette), 178 Hue/Saturation/Lightness (HSL) colors,
framing images, 258“259 181, 182
Freehand tool, 41“43
full bleed, 37
Fur Texture effect, 255
Illumination effects, 242, 251“252
•G• Image effects, 242, 249“251
image files
Gaussian Blur effect, 144 cloning between, 140
Geometric effects, 242, 249“251 combining, 209“210
GIF files. See also file types converting file formats, 25“26
animated, 22, 28 copying, 10
color depth limited for, 22, 27 deleting, 10
creating, 276“279

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336 Paint Shop Pro 9 For Dummies

image files (continued)
file types for features, 275
managing using thumbnails, 10 joining line segments, 235, 237
as masks, 308“311 JPEG (Joint Photographic Experts Group)
moving to different folder, 10 files. See also file types
obtaining from the Web, 28 artifacts, 23, 113
opening, 8, 10, 11“13, 15 creating, 279“281
overview, 7“8 EXIF data, 11, 81
Paint Shop Pro format, 17 image features and, 275
preferences for program to open, 13 lossless version of (JPEG 2000), 23
raster versus vector images, 24 as lossy, 17, 23
renaming batches of files, 26“27 overview, 22“23
renaming thumbnails, 10 quality settings, 280“281
saving, 16“18, 274 reducing download time, 280“281
selecting several files, 10 JPEG Optimizer, 23, 279“281
slicing, 320“322 JPEG Wizard, 281
thumbnails, 10“11, 15“16
translation by Paint Shop Pro, 8
types of, 8
image mapping, 321
Kaleidoscope effect, 253
Image menu
Kay, David, e-mail address, 4
Add Borders command, 35
Knife mode, 236, 315
Canvas Size command, 36
Decrease Color Depth command, 21, 28
Flip command, 35
Greyscale command, 129
Layer palette, 203“204, 213“215
Increase Color Depth command, 21, 28
Mirror command, 35
active layer, 204, 207, 242
Palette submenu, 182
for adding items, 136, 222“223
Picture Frame command, 258
adjustment layers, 119, 206, 215“218, 243
Resize command, 30
background layer, 150, 201
Rotate submenu, 34
blending images using, 213“215
importing. See capturing images
changing order in the stack, 208
Inner Bevel effect, 245
cloning between, 140
interactive Web pages
combining image files, 209“210
creating image slices, 320“322
copying or cutting objects, 207, 211
entering links, 322“323
copying to another image, 212“213
optimizing cells, 323
creating a new, blank layer, 204“205
overview, 320
creating for Art Media, 193, 195
rollovers, 324“325
cropping and, 32
saving and reloading your work, 324
defined, 201
saving Web files, 324
deleting, 205
interlaced display of GIF files, 22, 277
dragging floating selection between, 61
Internet resources
Dropper tool and, 154
“Photoshopped” pictures, 136
drying and wetting for Art Media, 200
scanning tips, 88
erasing on, 207
Invert layer, 217
grouping, 206, 208“209
inverting the selection, 55

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layer links, 209 joining segments, 235, 237
Magic Wand tool and, 46 keeping track of layers for, 222“223
making transparent, 213“214 making invisible, 237
managing, 207“208 moving segments or points, 229
merging, 219“220 painting or erasing in a straight line, 153
methods for getting, 202“203 slicing, 236, 315
moving entire layer, 207 loading
moving objects on, 45, 61, 207 interactive Web pages, 324
pasting selections and, 63“64, 203, 212 premade masks, 306“308
promoting selections as, 202, 210“211 saved workspace, 19
renaming, 205, 208 lossy file types, 17
resizing and, 31 low-contrast images, 123, 124
rotating images and, 34 LZW compression, 21
saving images and, 16
selecting entire layer, 206
selecting objects and, 46, 57“58, 206, 207
Smart Edge option and, 45 Magic Wand tool, 41, 45“48, 55“57, 290
tools and, 207 Magnifier tool, 15
tracking vector objects on, 222“223 marquee for selections, 40, 286
types of, 204, 205“206 mask layers
uses for, 201“202 built-in, loading, 306“308
viewing, 207 defined, 206, 305
Layers menu using images as, 308“311
Convert to Raster Layer command, 222 Material Properties dialog box
Dry Art Media Layer command, 200 border color and, 35
Load/Save Mask submenu, 307 choosing colors by numbers, 180“182
Merge submenu, 220 Color tab, 180“182
New Adjustment Layers command, 216 color wheel, 179“180
New Art Media Layer command, 195 Gradient tab, 184“185
New Raster Layer command, 204 HSL colors in, 181, 182
View submenu, 207 HTML colors in, 181
Wet Art Media Layer command, 200 opening, 178“179
Levels layer, 217 pattern tab, 196
Lighten/Darken tool, 145“146 RGB colors in, 181
lighting color (color balance), 121“122 Style button, 183
lightness, 145“146, 181, 182 textures in, 188
line art setting (scanner), 86 Materials palette
lines. See also vector images or objects All Tools option, 174
Bezier curves, 311“315 applying textures, 186“188
color for, 228 background color, 175
Curve Tracking value for, 230“231 choosing colors for tools, 153, 174“175
direction of, 235 editing selections, 52
drawing, 228“231, 311“315 foreground color, 175
editing nodes, 234“235, 314“315 Frame tab, 178
editing properties, 236“237 freehand lines or shapes and, 230
fitting text to, 226“227 opening Material Properties dialog box,
join types, 237 178“179

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338 Paint Shop Pro 9 For Dummies

Materials palette (continued) thumbnails to different folders, 10
opening Recent Materials dialog box, vector objects, 239“240
opening the palette, 173
Swatches tab, 189“190
texture properties versus Texture effects, negative images, 128, 129, 217
253“254 Node Edit mode, 234“235, 314“315
Tool Options palette and, 160 noise, removing, 111“112
viewing, 173
memory sticks, 77
merging layers, 219“220
mesh warp effect, 70“71 Objects menu
midtones, 87, 217 Align command, 316
mirror rotation effect, 253 Distribute command, 316
mirroring, 35, 61 Fit Text to Path command, 227
miter join, 237 Oil Brush tool, 197“198
Mixer for Art Media colors, 198“200 1-bit color (black-and-white), 21, 86. See
modifying selections also color depth
adding to or subtracting from, 49“50 One Step Photo Fix, 116
editing selections, 52 opacity. See also transparency
expanding and contracting by pixels, 50 adjusting for layers, 213“215
feathering, 53 defined, 47
methods for, 48 selecting by, 47
moving the selection outline, 49 textures and, 188
removing specks and holes, 50“52, 54 Tool Options palette settings, 162
moir© patterns, 89“90, 112“113 Open dialog box, 8, 9, 11“12
monitor, capturing images from, 93“97 opening
Motion Blur effect, 144 browser, 8, 9
Move tool, 49 image files, 8, 10, 11“13, 15
moving objects. See also copying; JPEG Optimizer, 279
deforming; pasting Print Layout screen, 266
aligning, 315“316 templates, 267
to another layer, 61 transparent GIF files, 278
changing layer order in the stack, 208 troubleshooting, 291
distributing, 316“317 vector images, 24“25
entire layer, 207 Outer Bevel effect, 245
feathered selections, 54 overexposure correction, 120“121, 296
flipping images, 35
on layers, 45, 61, 207
line segments or connection points, 229
mirroring images, 35
Page Curl effect, 250“251
nodes of lines or shapes, 235
Paint Brush tool, 52, 152“154, 185, 186
panning images bigger than window, 14
positioning image on canvas, 37
Art Media tools for, 193“200
in preview windows, 118
brushing, 152“154
rotating images, 34“35
creating a new canvas for, 150
selection outline, 49
erasing, 154“157
selections, 60

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painting (continued) percentage for resizing images, 31
filling areas, 166“169 perspective, 67“68, 69, 71
with gradients, 185 Picture Tube tool, 190“193
halo example, 169“172 pimple removal, 133“134, 299“300
Paint Shop Pro advantages for, 149 pixels
picking up colors from an image, resizing images by, 31
154, 177“178 selecting more or fewer, 47“48, 50
Picture Tube tool for, 190“193 placement options for printing, 264“265
replacing colors, 164“166 PNG (Progressive Network Graphics) files,
selections and, 164 23, 275. See also file types
spraying, 152“154 Posterize layer, 217
straight line, 153 preferences
styles of paint, 183 for Auto Actions messages, 28, 287
Tool Options palette controls, 158“164 for program to open image files, 13
tools for, 150“151 preset effects. See effects
troubleshooting paint problems, 288“289 Preset Shapes tool, 185, 186, 232“234
Palette Knife tool, 197“198 presets for Tool Options palette, 160,
palettes. See also specific palettes 303“305
defined, 173 previewing, 58, 118
missing, 287“288 printed images, scanning, 89“91
saving the workspace, 18“19 printing
showing or hiding, 151 collections or album pages, 266“270
Pan tool, 14 color options for, 265
pasting Draft setting, 270
on existing layer, 212 in grayscale, 265
as new image, 62“63 placement options for, 264“265
as new layer, 63“64, 203, 212 Print dialog box, 263“265
as new selection, 63 professional, resizing and, 30
overview, 62 quality of images and, 270“271
scaling to fit during, 64“65 resizing images for, 31, 265
as transparent selection, 64 resolution for, 271
vector objects, 239 single image, 265“266
Pattern effect, 253 size of images and, 270
patterns programs for opening files, preferences
choosing, 185“186 for, 13
defined, 183 Progressive Network Graphics (PNG)
file types and, 275 files, 23, 275. See also file types
filling with, 168 promoting selections, 202, 210“211
for gradients, 185 proofing, 118
for text, lines, or shapes, 237 .pspimage or .psp files, 17, 18, 20, 24. See
PC screen, capturing, 93“97 also file types
Pen tool Push tool, 135
drawing lines, 228“231
Knife mode, 236, 315
Node Edit mode, 234“235
Tool Options palette for, 229, 230“231, quality of images, 82, 270“271, 280“281
234, 235

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340 Paint Shop Pro 9 For Dummies

Smart Size feature, 32
•R• undoing, 32
vector objects, 239
raster layers, 202, 205, 218, 222
when adding items, 136, 137
RAW format, 76
recording scripts, 327“329
for printing, 271
red-eye removal, 103“107, 294“295
scanner settings, 86“87, 90
Red/Green/Blue colors. See RGB colors
Resource Manager (Tool Options palette),
redoing, 326
Reflection effects, 242, 252“253
Remember icon, 4
saved workspace, 18“19
removing or erasing. See also deleting
shrunken toolbar, 151
Art Eraser tool for, 198
Retouch tool, 133“134
backdrops, 155“157
retouch tool group, 132
Eraser tool for, 154“155
retouching photos. See also altering
erasing in a straight line, 153
erasing on layers, 207
blurry areas, fixing, 109“111
items from photos, 137“142, 297“298
color correction, 107“109, 116
JPEG artifacts, 113
defined, 132
moir© patterns, 90, 112“113
facial blemish removal, 133“134, 299“300
noise and grain, 111“112
glare reduction, 120“121, 145“146
red-eye, 103“107, 294“295
JPEG artifact removal, 113
scratches, 100“103
lighting color (color balance), 121“122
specks and holes in selections, 50“52, 54
miscellaneous tools for, 134“135
moir© pattern removal, 90, 112“113
batches of files, 26“27
noise and grain removal, 111“112
layers, 205, 208
One Step Photo Fix, 116
templates, 267
overexposure correction, 120“121, 296
thumbnails, 10
problems Paint Shop Pro can fix, 99
vector objects, 237
red-eye removal, 103“107, 294“295
replacing colors, 164“166
scratch removal, 100“103
resampling, resizing images and, 32
softening the focus, 142“143
resizing. See also size
spot-changing colors, 145“146
avoiding degradation, 31“32
underexposure correction, 119“120, 295,
borders, 35“36
canvas, 36“38
wrinkle removal, 132“133
canvas versus borders and, 36
RGB (Red/Green/Blue) colors
cropping, 32“33
for glare removal, 145“146
by dialog box (deforming), 69
Match Mode and, 47
for download speed, 274
in Material Properties dialog box, 181
by dragging (deforming), 66
Red/Green/Blue dialog box, 127
for e-mailing, 82
TIFF files and, 22
image proportions and, 30“31
RLE (Run-Length Encoding), 21
layers and, 31
rollovers, 324“325
pasting while scaling to fit, 64“65
percentage for, 31
by dialog box (deforming), 70
in pixels, 31
by dragging (deforming), 67
for printing, 31, 265
image, 34, 294
professional printing and, 30

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layers and, 34 clearing the selection or deselecting, 55
part of an image, 35 cloning versus, 141“142
vector objects, 239“240 by color or brightness, 45
Rotating Mirror effect, 253 by color range, 319“320
round join, 237 cropping area, 33
Run-Length Encoding (RLE), 21 defined, 40
running scripts, 329 deselecting, 55, 211
editing selections, 52
•S• everything but (inverting the
selection), 55
example (selecting dog only), 55“57
Salt-and-Pepper Filter dialog box, 112
expanding and contracting by pixels, 50
feathering selections, 52“54
Automatic Saturation Enhancement
image files in Open dialog box, 12
effect, 126“127, 301
layers and, 46, 57“58, 206, 207
for colorizing, 128
marquee outlining selected area, 40
defined, 123
modifying selections, 48“52
in HSL colors, 182
moving the selection outline, 49
Saturation Up/Down tool, 146
nodes of lines or shapes, 235
none, 55
exporting versus, 274
by outlining, 42“43
image files, 16“18, 274
overview, 39“42
interactive Web pages, 324
painting and, 164
layers and, 16
preview window and, 58
settings as presets, 303“305
promoting selections, 202, 210“211
swatches, 189
raster versus vector images and, 40
templates, 267, 270
regular shapes, 44“45
vector images, 25
removing specks and holes in selections,
Web site images, 28, 97
50“52, 54
workspace, 18“19
Selections menu for, 41
scanners and scanning
showing or hiding marquee for, 286
color depth settings, 85“86
by similarities, 319“320
connecting to, 75“76
Smart Edge option for, 41, 42“43
contrast and other adjustments, 87“89
thumbnails, 10
printed images and, 89“91
tools for, 41
resolution settings, 86“87
vector objects, 238“239
straightening crooked scans, 91“93
selection frame for text, 226
transferring images using TWAIN, 83“84
Selection tool, 41, 44“45
uses for, 82
Selections menu
Web site for tips, 88
Defloat command, 60
scratch removal, 100“103
Edit Selections command, 52
screen captures, 93“97
Float command, 60
scripts, 246, 327“329
Invert command, 55
Modify submenu, 50, 51, 53, 54, 319, 320
active window, 15
overview, 41
adding to or subtracting from selections,
Promote to Layer command, 210
47“48, 49“50
Select All command, 54
all, 54
Select None command, 54, 211
anti-aliasing selections, 54

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342 Paint Shop Pro 9 For Dummies

shadows reducing file size for e-mailing, 81“82
adding, 137 scanner resolution settings, 86“87
choosing colors for, 180 sorting thumbnails by, 10“11
Curves layer for adjusting, 217 Tool Options palette settings, 160
Drop Shadow effect, 245 for vector images, 24“25
scanner settings, 87 viewing image information, 12, 15“16
underexposure correction, 119“120, 295, zooming, 14“15
296“297 skewing (deforming), 68
shapes. See also vector images or objects sky, making blue, 300“301
adding preset shapes, 232“234 slicing, 236, 315, 320“322
anti-aliasing, 223, 237 Smart Size feature, 32
drawing connected line segments, Soften tool, 132“133
228“229 softening the focus, 142“143
drawing freehand, 230“231 solid fills, 166“168
drawing separate shapes, 230 sorting thumbnails, 10“11
editing nodes, 234“235 Standard Sizes templates, 267
editing properties, 236“237 Steinmetz, William “Ferrett,” e-mail
fill color, 228, 233 address, 4
fitting text to, 226“227 straight line, painting or erasing in, 153
join types, 237 straightening (deforming), 71, 91“93
keeping track of layers for, 222“223 styles of paint, 183
making invisible, 237 Sunburst effect, 251“252
outline color, 228, 232“233 swatches, 173, 189“190
slicing, 236, 315
troubleshooting, 289“290
Sharpen tool, 134
shear effect (deforming), 68, 69 Tag Image File Format (TIFF), 21“22. See
showing or hiding. See also viewing also file types
file extensions, 20 Technical Stuff icon, 4
GIF transparency, 278 templates, 267“268, 270
layer names on Layer palette, 203 text. See also vector images or objects
marquee for selections, 286 changing words or characters, 289
palettes, 151 creating, 223“226
subfolders, 10 editing properties, 236“237
toolbars, 151 fill color, 223, 224
16 colors (4-bit color), 21, 182“183. See following a line or shape, 226“227
also color depth fonts and font styles, 224“225
16 million colors (24-bit color), 21, 32, 85. keeping track of layers for, 222“223
See also color depth making invisible, 237
size. See also resizing outline color, 223, 224
actual size, viewing, 14“15 positioning, 224
for Art Media tools, 196 selection frame for, 226
of BMP files, 21 troubleshooting, 289“290
for borders, 35“36 vector versus raster, 225
canvas, 36“38 Text tool, 185, 186
display versus actual size, 288 Texture effects, 242, 253“257
of picture tube images, 192 textures
printing and, 270 All Tools option and, 174
quality of images and, 280“281 applying, 186“188
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defined, 183, 253 toolbars
disabling, 188 docking and undocking, 151
file types and, 275 flashing on and off, 15
filling with, 168 missing tools, 287“288
Materials palette properties versus saving the workspace, 18“19
effects, 253“254 showing or hiding, 151
opacity and, 188 Topography effect, 247“248
for text, lines, or shapes, 237 Trace setting for Art Media tools, 197
32-bit color setting (scanners), 85 transferring photos. See capturing images
3D effects, 242, 244“245 transparency. See also opacity
threshold control, 129“130 erasing on layers and, 207
thumbnails, 10“11, 15“16 file types and, 275
TIFF (Tag Image File Format), 21“22. See in GIF files, 22, 276“277, 278
also file types making layers transparent, 213“214
Tip icon, 4 pasting selection as transparent, 64
Tool Options palette troubleshooting
adding to or subtracting from deforming, 69
selections, 49 double-clicking won™t open file, 12“13
adjustment sliders, 159 Magic Wand tool, 290
anti-aliasing option, 54, 223 missing tool or palette, 287“288
Art Media settings, 196“198 opening image files, 291
for Background Eraser tool, 157 paint problems, 288“289
for Clone Brush tool, 139, 141 questions from Paint Shop Pro, 287
for Deform tool, 69“70 scanning printed images, 89“91
density settings, 162“163 scratch removal, 102
for Dodge tool, 297 size of image changes, 288
feathering option, 52“54 text, 289“290
flashing on and off, 44, 158 tool or command doesn™t work, 286
for Freehand tool, 41, 42“43 unwanted tool behavior, 290“291
hardness settings, 161“162 TWAIN software, 75“76, 78“80, 83“84
for Magic Wand tool, 45“48 24-bit color (16 million colors), 21, 32, 85.
Match Mode setting, 46“47 See also color depth
Materials palette and, 160 256 colors (8-bit color), 21, 85, 182“183,
opacity settings, 162 243. See also color depth
painting and erasing controls, 158“164
for Pen tool, 229, 230“231, 234, 235
presets, 160
Resource Manager, 160“161 underexposure correction, 119“120, 295,
saving settings as presets, 303“305 296“297
selecting and, 41 undocking toolbars, 151
shape settings, 160“161 undoing
showing all options, 159 changes that can be undone, 59
size settings, 160 clearing the selection or deselecting, 55
Smart Edge option, 41, 42“43 cropping, 33
Step control, 163“164 dragging, 45
Texture option, 188 feathering, 54
Tolerance setting, 47“48 Freehand tool selection, 43

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344 Paint Shop Pro 9 For Dummies

undoing (continued) Palettes submenu, 151, 173, 198, 326
overview, 326 Snap to Grid command, 318
resizing, 32 Toolbars submenu, 116, 151, 273, 327
Unsharp Mask feature Zoom submenu, 14
Paint Shop Pro, 88, 111 viewing. See also showing or hiding
scanners, 88, 89 actual size image, 14
images in folders, 10
•V• information for images, 12, 15“16
layers, 207
Magnifier tool, 15
vector images or objects. See also lines;
moir© patterns and, 90
shapes; text
zooming, 14“15
aligning, 315“316
copying, 239
creating a new layer for, 202
defined, 24
deleting, 239, 240 Warning! icon, 4
distributing, 316“317 Warp Brush tool, 153
editing properties, 236“237 wart removal, 133“134, 299“300
file types containing, 24 Web resources
grouping, 238 “Photoshopped” pictures, 136
keeping track of layers for, 222“223 scanning tips, 88
moving, 239“240 Web sites, saving images from, 28, 97
opening, 24“25 Web toolbar, enabling, 273
pasting, 239 Web-friendly images
preset shapes as, 232 creating buttons, 281“282
raster images versus, 24, 222 creating GIF files, 276“279
resizing, 239 creating JPEG files, 279“281
rotating, 239“240 download speed for, 273“274, 277“279,
saving, 25 280“281
selecting, 238“239 exporting images, 274“281
text, 23“27 image features, file types for, 275
vector object types, 219 for interactive Web pages, 320“325
vector layers matching HTML colors, 282
converting to raster layers, 218, 222 WIA (Windows Image Acquisition), 76, 80
creating, 202 Window menu, 15
defined, 205 windows, capturing, 93“97
effects not allowed on, 243 workspace, saving and restoring, 18“19
using, 218“219 wrinkle removal, 132“133
Vector Properties dialog box, 236“237
View menu
Change Grid command, 318
Grid command, 318 Zoom tool, 14
Magnifier command, 15 zooming, 14“15, 118

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